Joe & Miles

These two tunes were recorded on Feb. 20th, 1969 with Miles, Wayne Shorter, Herbie Hancock, Chick Corea, Joe Zawinul, John McLaughlin, Dave Holland and Joe Chambers. Both tunes never saw the light of day until the In A Silent Way Sessions box set came out.

Miles Davis - The Ghetto Walk

Another example of Miles' extended compositions with modal solos. The recorded take is nearly a half-hour long, leaving ample solo space. (In fact, you can really hear the band settle into the solo section groove)

Miles and Wayne restate parts of the melody in a rubato fashion. I'll leave it to you for now to figure this part out, I just wanted to get the basic form of the tune transcribed.

Joe Zawinul - Early Minor

A beautiful minor ballad. The Rhodes really shimmers on this one. This tune deserves to be played far more often, hopefully this chart will encourage people.

In A Silent Way Sessions

I've been going back to the Complete In A Silent Way Sessions box lately, transcribing tunes of interest. Lots of good composing, and great playing (considering they were likely sight-reading most of these). Next up on the docket are "Splash" and "Splashdown" but we'll see how far I get in those!

Throughout the late 1960's, Miles Davis and his group was intensely exploring new compositional methods. The 2nd quintet had delved into modern, non-functional harmony (see "Circle" and "Fall") free jazz (see "Orbits", "Dolores", etc.), and rock (see "Freedom Jazz Dance" and "Eighty-One"). By the time of Filles de Kilimanjaro, Miles was writing complex linear song forms, with modal solo sections stuck in the middle.

Up until 2003 it was generally assumed that this tendency fell away in 1969 as Miles went completely modal. But the recent release of unedited session tapes tells a different story.

Miles Davis - Shh, Peaceful

The song form is almost completely obscured by editing on the album version. But listen to the version on the box set and you'll hear a fully-formed composition, with modal solo sections, just like "Frelon Brun".
For the uber-uber-nerds, here's an interesting piece of history: Miles' own lead sheet of the tune. I used it for parts of the transcription above.
The last three bars of system 5 resemble the descending chord progression that is heard on "It's About That Time", but the bassline is nowhere to be found. Maybe this sheet of music was the source material for the entire recording session, not just "Shh, Peaceful"?

In any case, this tune was recorded on February 18, 1969. Peter Losin's always-useful Miles Ahead website also includes a breakdown of how the master take was edited for the LP version. Check it out!

More Miles!

Miles Davis - Dual Mr. Anthony Tillmon Williams Process

This tune was recorded on November 11th, 1968. Discographer Peter Losin suggests that this tune may have been co-written by Gil Evans, which is definitely possible. It was shelved but eventually released by Columbia in 1976 on the album Water Babies.

Marcus Miller - Tutu

Recorded on February 11th, 1986. Released on the album Tutu, by Warmer Bros. I didn't bother transcribing all the synth hits at the beginning.

Idris Ackamoor

This is the first track from a 2006 retrospective of Ackamoor's work. Please support Ackamoor's work by buying the compilation here:

http://www.jazzloft.com/p-43690-music-of-idris-ackamoor.aspx

Idris Ackamoor - The Shepherd's Tune

Annette Peacock

I'm on my way out the door but here's a transcription of Kid Dynamite I whipped up a while back.

Annette Peacock - Kid Dynamite

This tune, like many of Annette's, has been recorded numerous times by Paul Bley. A quick search on Discogs or Allmusic will give you some leads.

Annette Peacock

Annette Peacock - Mr. Joy

This tune was a staple of Paul Bley's live book throughout the 1960's and was recorded numerous times. It's one of Peacock's most poignant tunes, the existentialist lyrics juxtaposed with a very sing-songy melody in G major. It has also been covered by Affinity, and Norwegian vocalist Karin Krog.

The Affinity version has an E minor vamp out front, and features completely different lyrics.

Paul Bley - "Copenhagen & Haarlem" (Arista, 1975)
Paul Bley - "Mr. Joy" (Limelight, 1968)
Paul Bley - "Turning Point" (IAI, 1975)
The Paul Bley Synthesizer Show (Milestone, 1971)
Karin Krog - "Joy" (Sandem, 2008 reissue)
Affinity - "Affinity" (Paramount, 1970)

Don Cherry

Quick update. The first of 2010! Hopefully I'll be adding more charts as the year comes to an end.

Don Cherry - There Is The Bomb

This is my interpretation of the composition, based on the common points between all iterations of the melody. They're all slightly different of course, but I think this is a pretty accurate summary. Thoughts?

Appears on:

Don Cherry - "Where Is Brooklyn?"